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By Matthew Costello
An action-packed event in keeping with the award-winning videogame from identification software program, the creators of DOOM® and QUAKE®, Rage follows one man’s struggle to save lots of the way forward for humanity in a ravaged, post-apocalyptic world.
The asteroid Apophis has annihilated Earth, and just a small percent of humanity’s top and brightest were kept. Buried deep lower than the floor in life-sustaining Arks, those selected few are tasked with one important mission—to restoration civilization to a devastated planet enormous quantities of years after the impact.
When Lieutenant Nick Raine emerges from his Ark, he reveals a destiny indistinguishable from nightmare. Humankind has now not been solely destroyed at the floor global, and a primitive new society has emerged during which lifestyles is nasty, brutish, and brief. Mutants and bandits prey upon the susceptible, and a mysterious army team referred to as the Authority preys upon every person. Worst of all, a would-be tyrant seeks to impose his will upon the shattered planet. Armed with not anything greater than his strive against education and survival instincts, Raine needs to upward push to satisfy the demanding situations of the barren region.
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Additional resources for RAGE
Example text
Find a photograph that you are fond of and let’s have some fun making it into something different. The techniques that are demonstrated will work best with a photograph that is not too large or too small. The size of the image is important only because the settings shown for the tutorial are for an image that is about 1500 pixels in the largest dimension. If you use a photograph that is larger or smaller, you will need to adjust the settings to get similar results. The photograph that you choose should have the following attributes: ■ A good and wide range of values.
Z-Brush is like nothing else out there. It is a relatively expensive program with an unusual interface that can be confusing when learning it. It is not only a painting program, but also a true 3D modeling program that excels at creating creatures and organic shapes. When not creating in 3D, you can paint with this program but the difference is that your pixels not only have an x and y orientation, but also will paint with true depth. Z-Brush calls its pixels “pixols” to indicate that they have z-axis information.
This will remove the self-imposed pressure on our drawing and painting skills and let us concentrate on becoming more familiar with the new tools we will be using. Let’s leave the drawing and painting skills to further development in later chapters and just have a bit of fun in this one. Without further delay let’s start making digital art based on a photograph. The current generation of digital painting software makes the creation of art from photographs very easy. You can create an image that looks like a traditional oil painting, a watercolor, a pencil sketch, a pastel painting, and even creations that look like something entirely new and different.