Utamaro by Edmond de Goncourt; Michael Locey; Lenita Locey

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By Edmond de Goncourt; Michael Locey; Lenita Locey

If sensuality had a reputation, it'd be definitely Utamaro. Delicately underlining the backyard of Pleasures that when constituted Edo, Utamaro, via the richness of his materials, the lengthy necks of swans, the mysterious appears, evoke in a couple of strains the sensual excitement of the Orient. If a few scenes betray discreetly enthusiasts' video games, a number of his shungas remember that love in Japan is in the beginning erotic.

summary: If sensuality had a reputation, it might be undoubtedly Utamaro. Delicately underlining the backyard of Pleasures that when constituted Edo, Utamaro, through the richness of his materials, the lengthy necks of swans, the mysterious appears to be like, evoke in a couple of strains the sensual excitement of the Orient. If a few scenes betray discreetly fanatics' video games, various his shungas keep in mind that love in Japan is at first erotic

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Musée national des Arts asiatiques – Guimet, Paris. qxp 4/4/2008 5/29/2008 4:55 PM9:17 Page AM49Page 49 open. […]. Great was the astonishment of the old couple to find a beautiful boy inside, whom they named Momotaro (peach child). The child soon became a tall charming youth. But in those days, the people who lived on the coast were being eaten by the horrible inhabitants of a neighbouring island. One day the young man, accompanied by his dog, his monkey, and his pheasant, set sail for the island.

In coating of the backgrounds, adding to these for having been massively reproduced the same way this plate, showing two women images something like the reflection of pale mechanically. The designs of the great master and a little girl at the foot of a bridge, does moonlight, the women, with their discrete seem to have kept, in their interpretation by not resemble so much a print as it does a colouring, have skin the colour of tea-roses the printer, their clarity, their lucidity, and watercolour, where the delicate relief of its and appear in dresses of deep blue, currant their aqueous quality so reminiscent of the embroidery, highlighted with a bit of gold, red, or of a greenish golden yellow, dressed watercolour!

Play music. qxp 4/4/2008 5/29/2008 4:58 PM9:17 Page AM55Page 55 Niwaka Festival Performers in a Yoshiwara Tea-House (Hikite-jaya no nikawa-shu), c. 1800-1801. 3 cm. Staatliche Kunstsammlungen Dresden, Dresden. qxp 4/4/2008 5/29/2008 4:58 PM9:17 Page AM57Page 57 “House-Cleaning” (Susuhaki), c. 1797-1799. Oban pentatych, nishiki-e. The British Museum, London. qxp 4/4/2008 5/29/2008 4:58 PM9:17 Page AM58Page 58 “Courtesans Processing in Front of Stacked Boxes” (Tsumimono mae no yujo), 1795. 6 cm. Chiba City Museum of Art, Chiba.

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