Using Non-Textual Sources : A Historian's Guide by Catherine Armstrong

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By Catherine Armstrong

Utilizing Non-Textual assets presents heritage scholars with the theoretical history and talents to interpret non-textual resources. It introduces the total diversity of non-textual resources utilized by historians and gives sensible assistance on easy methods to interpret them and include them into essays and dissertations. as well as this, the ebook posits a theoretical framework that justifies using this stuff as historic resources and explains how they are often used to extra comprehend the previous. there's insurance of the construction, creation and distribution of non-textual resources; the purchase of abilities to 'read' those assets analytically; and the which means, value and reliability of those varieties of proof. utilizing Non-Textual assets encompasses a part on interdisciplinary non-textual resource paintings, outlining what historians borrow from disciplines equivalent to artwork heritage, archaeology, geography and media reports, in addition to a dialogue of ways to find those assets on-line and in other places so one can use them in essays and dissertations. Case experiences, comparable to the Tudor non secular propaganda portray Edward VI and the Pope, the 1954 John Ford Western "The Searchers" and the Hereford Mappa Mundi, are hired all through to demonstrate the features of major resource forms. images, cartoons, maps, paintings, audio clips, movie, locations and artifacts are all explored in a textual content that offers scholars with a complete, cohesive and useful advisor to utilizing non-textual assets.

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The trauma for the Dutch is not that their troops committed crimes or even that they were guilty by omission. Rather, the traumatic core seems to be the uncertain accountability that has arisen from a complex national/international chain of command, where military considerations and political priorities continually tripped each other up, with fatal con- PARADOXES AND PARAPRAXES 23 sequences for thousands of Bosnians. Alongside this formally structured military-bureaucratic accountability there emerged an unstructured, spontaneous and self-defined responsibility, on behalf of the Dutch people via its government, to offer humanitarian assistance, which failed to prevent the death of so many people, thereby bringing sharply to light the incommensurability of the two objectives: peacekeeping and humanitarian assistance.

Thus, one of locals explains that he is taking up arms to defend the village, not because he speaks Hungarian and this is a Hungarian village inside Croatia, but simply because the village has been there some 800 years, and it is those 800 years he wants to defend. This is why he also tells the international mercenaries that he will not be fighting outside or beyond the village boundaries, whether for Croats, or against Serbs. Chico is poor cinema at its most inventive, telling its story through flashbacks PARADOXES AND PARAPRAXES 33 and looped narrative strands that we have to pick up as best we can.

This surprising number has obliged many European countries to address the PARADOXES AND PARAPRAXES 19 long-term consequences of genocide (as in the case of Germans, coming to terms with the Holocaust committed in their name), the legacy of colonialism (as in France), civil war and military coups (as in Spain and Portugal), as well as secession and ethnic cleansing (the Balkans), terrorist action, civil unrest and sectarian violence (as in Britain and Northern Ireland). In other parts of the world, and even before September 2001, conflicts and post-conflict situations have also been increasingly frequent (or never ceased), becoming ever more destabilising and difficult to manage: think of South Africa, Rwanda, the Democratic Republic of Congo, Kenya and Nigeria; think Syria, Egypt, Libya, not to mention Israel and Palestine, North and South Korea; think Argentina, Chile, Colombia and Bolivia in Latin America.

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