
By Leonid Zhmud
Dies ist die erste umfassende Untersuchung von Inhalt, shape und Zielen der Peripatetischen Historiographie der Naturwissenschaften. Zhmud konzentriert sich auf den Aristoteles-Schüler Eudemus von Rhodos, dessen Werk die Grundlage der Peripatetischen Historiographie der Naturwissenschaften bildet. Pluspunkte overseas renommierter Autor stark überarbeitete Übersetzung aus dem Russischen (zuerst Moskau 2002) innovativer Ansatz über die Wurzeln der Wissenschaftsgeschichte in Europa
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Extra info for The Origin of the History of Science in Classical Antiquity (Peripatoi 19)
Sample text
Rhod. I, 1129f. See Kleingünther, op. , 26ff. For material on the Dactyls, see Hemberg, B. Die Idaiischen Daktylen, Eranos 50 (1952) 41–59. Referring to the fragment of Pseudo-Hesiodean On the Idaean Dactyls (fr. 282 Merkelbach – West), Schneider, op. , 46, attributes the tradition of the invention of iron by the Dactyls to Hesiod. Meanwhile, fr. 282 merely repeats what is said in Phoronis, and the work On the Idaean Dactyls is a result of ancient philologists’ combinations: Rzach, A. Hesiod, RE 8 (1912) 1223; Schwartz, J.
Od. VI, 232f. on “a cunning workman whom Hephaestus and Pallas Athena have taught all manner of craft” (Ön ˙Hfaisto~ dédaen kaì Pallà~ A ^ q2nh técnhn pantoíhn). Cf. Od. XX, 72. qaumastà d^ @nqrøpoi~ … garúmata malsaká … neócm^ Édeixan … (fr. 1 Page). Davies, M. The motif of the prõto~ eûret2~ in Alcman, ZPE 65 (1986) 25–27. , Stählin, O. Geschichte der griechischen Literatur, Vol. ; Janko, R. ). Kleingünther, op. , 22, 29; Terpander as pro¯tos heurete¯s was first mentioned by Pindar (fr. 125 Snell), but this tradition certainly goes back to the seventh century.
Heurematography and the ‘Greek miracle’ 29 inventor of weights and measures. 24 The shipbuilder Ameinocles of Corinth, who was invited to build ships on Samos, worked in the mid-seventh century or even earlier. 25 From the early seventh century on, vase painters, potters, and, later, sculptors considered it natural to sign their works, 26 so that the names of the early pro¯toi heuretai in this field go back to signatures left by artists themselves. 27 These include, for example, Butades of Sicyon (seventh century), the legendary inventor of ceroplastics (the art of modeling in wax), whose works, signed and dedicated to the temple, were preserved in Corinth until the Hellenistic epoch.