By Robert Bevan
Crumbled shells of mosques in Iraq, the bombing of British cathedrals in international battle II, the autumn of the area exchange heart towers on September eleven: while architectural totems corresponding to those are destroyed by means of conflicts and the ravages of battle, greater than mere structures are at stake. The Destruction of reminiscence unearths the level to which a state weds itself to its panorama; Robert Bevan argues that such destruction not just shatters a nation’s tradition and morale yet is additionally a planned act of removing a culture’s reminiscence and, eventually, its existence. Bevan combs via global historical past to focus on quite a number wars and conflicts during which the destruction of structure used to be pivotal. From Cortez’s razing of Aztec towns to the carpet bombings of Dresden and Tokyo in global struggle II to the warfare within the former Yugoslavia, The Destruction of reminiscence exposes the cultural struggle that rages in the back of architectural annihilation, revealing that during this subliminal attack lies the complicated target of exterminating a humans. He provocatively argues for “the fatally intertwined adventure of genocide and cultural genocide,” finally offering the elevation of cultural genocide to a criminal offense punishable through foreign law. In an age within which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are respected and but museums and temples of worthy price are destroyed in wars around the globe, Bevan demanding situations the proposal of “collateral damage,” arguing that it truly is in truth a planned act of warfare. (20051211)
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Extra info for The Destruction of Memory: Architectural and Cultural Warfare
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The complex and a nearby clock-tower were blown up in May 1993 and the remains later bulldozed and used as land-fill. The empty site of the Ferhadija mosque in central Banja Luka. Attempts to lay a new foundation stone in May 2001 met with violent riots by stone-throwing Serb nationalists. One of the elderly Bosniaks gathering for the ceremony later died of head injuries. A pig was let loose on the site to defile it. Plans for its reconstruction had been prepared by the School of Architecture in Sarajevo.
20 Then, in 1989, before the six-hundredth anniversary in June of the Battle of Kosovo, Yugoslavia saw the spectacle of the body of Prince Lazar, the Serb national hero who fell at the battle, being processed around the country. ’ 21 The inconveniently visible architectural history of half a millennium of indigenous Muslim culture in Bosnia and Kosovo had to be removed, along with its resistant people, if the dream of a Greater Serbia was to be realized. Bosnia’s Muslim-built heritage was about to be devastated and the built historic record of Croatia and Bosnian Croats severely damaged.
Houses, shops, at least one Jewish school and a hospital were attacked, but it was the representative synagogues that bore the brunt. Although the official line was that the attacks were spontaneous uprisings by ordinary people (sa and ss men taking part were supposed to be out of uniform), the planning was in some cases meticulous. In Berlin, the attacks were delayed while police were put in place, road barriers erected and water, telephones and other services to target buildings cut off. 12 The authorities had lists of Jewish properties and, in some cases, clear priorities as to where to hit first across Germany, Austria and the Sudetenland.