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By Hélène Bowen Raddeker
A hugely unique paintings in historical past and concept, this survey considers significant topics together with id, category and sexual distinction, and weaves them into debates at the nature and element of history. Sceptical History arrives at new methods of doing background that contemplate non-Western heritage and feminist techniques. utilizing a variety of ancient and cultural contexts, the examine attracts greatly on feminist scholarship, either feminist historical past and postcolonial feminism.
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Additional info for Sceptical History: Postmodernism, Feminism and the Practice of History
Example text
It is suggestive of another seminal thinker often associated with postmodernism, Michel Foucault. Drawing upon Nietzsche once again, Foucault was more inclined to associate randomness and contingency with processes and change in the past History, postmodern critique 1111 2 3 4 5 6 7 8 9 10111 11 2 3222 4 5 6 7 8 9 20111 1 2 3 4 5222 6 7 8 9 30111 1 2 3 4 5 6 7 8 9 40111 11111 41 than determination by ‘causes’ (often prime or singular ones). ‘The forces operating in history,’ he said: are not controlled by destiny or regulative mechanisms, but respond to haphazard conflicts.
This, we might note, was the first of the core Australian values put forward in 2006 by the Prime Minister, John Howard, when the question was raised of how we might steer Muslim children away 44 History, postmodern critique from ‘terrorism’ (only the boys, presumably). Clearly, if they have to be taught this Australian value and core identity that other kids learn ‘naturally’, their ‘Australianness’ is in doubt. ) Scott also questions essentialized (core, fixed) identities even for marginalized groups.
For White, it was not that history’s narrative character can actually be avoided. His critique was not aimed at its plot structures in themselves (though it would be nice if historians were more reflective about their recourse to them); but rather at how they are among the rhetorical/linguistic devices that reveal history to be essentially a literary rather than ‘scientific’ enterprise. Rather than my delving into different approaches to narrative in history or as history, suffice it to say that, first, Barthes was a little overconfident in pronouncing diachronic/chronological history to be on its deathbed (he did say it was ‘dying’) as long ago as 1967.