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There he would look up the ceiling and dream, or even parents, and they when Dr. he would go to the house and stretch out on the long, black sofa sulting room, near the was to sit Marc near him, the thought. "I'll Self 'Portrait, smiling (Etching The Art and Drypoint) Chicago Institute of — As he listened, he realized the voice on about was who was girl, down friend to the father talking He a vacation, about foreign cities. pace up and want her young that of a was not Thea's it on and heard Thea —she probably —but room anxiously know he was there the didn't girl just kept going on about her hoHday, the clothes she had talking, bought and the people she had met.
Final he could pass, he would be given If a permit, but because he came the had trouble with the lettering, he failed. Just painter when met a patron of the all seemed hopeless, the struggling young kindly, well-tO'do lawyer arts, veloping talent. named Goldberg. Goldberg recogni2;ed the young man's de' When Chagall explained the problem of the permit to the lawyer, Goldberg had a solution. ful professional A As a success' man, he was permitted to obtain residence permits for his servants. So it was that he pretended to hire Chagall as a footman and thus obtained for him the permit and allowed the painter to live in his home.
46 f'rJ^:::- his family, Chagall He would soon met timidly go to their drawing rooms and show them work. Of these two were to be his of special importance in the Max was Duma, life of the young painter. Moisevitch Vinaver, an important member of the or parliament. The was Vinaver's other law, Leopold Sev. Both these men were very brother-in' active in trying to bring about a rebirth of Jewish culture in Russia, recognized the unique genius of stage. the Vinaver, who was man buy two first home to his classes at the Marc Chagall at an early and of his paintings; first schools of art.