By Fr Crastre
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In Rome, as in Madrid, in distinguishing Senor Carderera himself relates by that Goya was not perilous at long escapades. " But these were merely childish pranks; before long he had involved himself in a far more danger- ous adventure, especially in the city of the Popes. He had become infatuated with a young the higher circles of Roman society, the project of eloping with her. within the austere and formed shelter of beyond a to bolder ventures. artist, He it his convent. This setback, however, was not sufficient to courage the gallant in Being warned in time, the parents placed their daughter reach, girl dis- only spurred him on resolved to snatch his fair lady from the very hands of her jailors, and one night he attempted to invade the convent itself.
Friend, There he again latter's sister, and married her a few months him brother-in-law to Mengs, adventures, tendent and again he accepted the We Josefa Bayeu, later. offered this time, of Fine-Arts reception. in with Bayeu, discovered himself to be in love with the His fell more to introduce weary no doubt of offer. gave him a The Superinmost cordial have already had occasion to to the almost despotic authority which refer Mengs at GOYA 38 this period exerted over lar direction in Spanish art and the singu- which he had guided In the it.
KING CHARLES (Museum IV AND HIS FAMILY of the Prado, Madrid) Goya was the favourite painter of the king Charles IV, who conupon him the title of First Painter. In this fine painting, which raised the reputation of the artist to its zenith, the members ferred of the royal family are admirably and sincerely rendered, without a trace of flattery. All the degeneracy of the dynasty is to be read in these countenances, in terms of convincing eloquence. GOYA the city. 51 soon became the fashion, the rage, to It They stood have oneself painted by Goya.