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By David Carr
Carr's function is to stipulate a distinctively phenomenological method of heritage. background is generally linked to social life and its previous, and therefore his inquiry specializes in our adventure of the social global and of its temporality. How does heritage bridge the space which separates it from its item, the previous? in contrast heritage a phenomenological procedure, according to the concept that of expertise, can be Read more...
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Extra info for Experience and History : Phenomenological Perspectives on the Historical World
Sample text
In short, processes of experiencing” (p. 8). He opposes the reduction of experience to knowledge “at the expense of objects of enjoyment and trouble, friendship and human association, art and industry” (p. 32). ). And so we seem to have come full circle, with the return to experience as the return to innocence! And yet it is easy to see that Dewey’s incredibly broad, almost unmanageable concept of experience includes elements of much that we have encountered so far. Clearly his concept shares certain features with Lebensphilosophie, and is perhaps closest to what we have identified as the long-term, cumulative, trial-and-error sense of experience found in Hume and Hegel.
145), but it soon becomes clear that he has in mind something very close to that heightened intensity of feeling that Gadamer associates with the neo-romantic reaction to modernity. A self-confessed romantic (p. 189), indeed, Ankersmit turns for examples to the poets (Goethe, Eichendorff) who glimpse the past through the contemplation of the present. And he adduces historians (Burkhardt, Huizinga) who find their inspiration in works of art and other aesthetic experiences. Ankersmit uses “sublime” in the Kantian sense of that which escapes our reason’s capacity to comprehend.
It makes no difference that the future has not yet happened, and may turn out to be other than I expect. My anticipation, or protention, is still there. In fact, what happens can surprise me, as it often does, only because it conflicts with my anticipation. The element of surprise, of course, is often used in music, and it is only possible because we build up expectations which are then disappointed. 3. Time and Experience This brief exposition of Husserl’s phenomenological approach to time- consciousness provides us with some conceptual tools for dealing with the connection between our two notions of experience.