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Claude Monet: the 1st of the Impressionists
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Extra resources for Claude Monet - The First of the Impressionists
Sample text
In 1885 Mallarme published 'Le Nenuphar Blanc' in L Art et la Mode, a journal managed and edited by Monet's patron Hoschede. It seems surprising in retrospect that it was not this but another of his prose-poems for which Mallarme was to ask Monet to provide an illustration, though the pervasive femininity of theme and of mood in Mallarme's lines are surely evoked by a painting like Boating on the Epte (Plate 45), where two of Hoschede's daughters, soon to become the painter's step-daughters, drift gently by.
Were revolutionaries. However, Monet's only known political stand of an) note concerns his support for Dreyfus in the notorious affaire o\~ 45 the when he admired Zola's public He did become a friend of Georges 1890s, protest. Clemenceau, but there seems to have been no political significance in his association with the great Radical. Monet among In his relative detachment, from the attitude prevailing differed the Neo-Impressionists, who tended to associate progressive social attitudes with a scientific In approach to art.
Huysmans, who had earlier been of the positivist frame of mind that could attribute growing the the attractive little tendency painting in in Monet's art simul- taneously to stress the atmospheric 'envelope', was to and to function in a decorative manner. The decorative qualities could work in unison with the atmospheric, and both contributed to an embrace, an as he call it, emotional involvement. Arsene Houssaye, the critic who had purchased the memorable Camille of 1 866, wrote of Monet and Renoir as representatives of the school of 'Nature for Nature's Sake', as from 'Art for Art's Sake' with its normative and primarily figure-based ideal of distinct 50 took a first step colour vision to pathoophthalmic states, spoke in 1882 not only of the Truth in Monet's marine paintings but also of the 'intense melancholy' induced by his ice-floes.