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By Charles McGaw, Kenneth L. Stilson, Larry D. Clark
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Example text
You” may consider him to be arrogant with sharp features and void of humor. Similarly, certain details about your character may be only suggested or inferred. As an actor, you must make decisions about your portrayal by using Juliet’s own words, as well as things that are said to or about her. You have many blanks to fill. For example, “you” know “you” come from a wealthy household. The lines infer that “you” have received a proper education—unlike most Italian girls living during the Renaissance.
Although it may be impossible, onstage or off, to keep an overabundance of tension from occurring, this habit will help induce a state of general relaxation. Our goal is to eliminate excess tensions at will—a capacity of great value to actors, who are always subject to nervous strain. Perhaps most important, finding tension helps actors discover their own nervous mannerisms. Different people reveal tensions in different ways, some by contracted muscles, and others by random movements. Among the most common movements are shaking the head, pursing the lips, frowning, snapping the fingers, and raising the shoulders.
I. Repeat the sound [k] five times, projecting it to the back wall of your classroom or performance space. J. Repeat the sound [g] five times. K. Alternate between [k] and [g] five times. L. Repeat the sound [p] five times. M. Repeat the sound [b] five times. N. Alternate between [p] and [b] five times. O. Vocalize “hummmmmm maaaaaahhhhhh” five times, raising your pitch each subsequent time. P. Again, make the sound of a motorboat. Q. Vocalize “me me me me me me me me maaaaaahhhhhh” five times. R. Again, massage your face with your palms and fingertips.