By C. G. Jung
Aion, initially released in German in 1951, is among the significant works of Jung's later years. The imperative subject matter of the quantity is the symbolic illustration of the psychic totality during the thought of the Self, whose conventional historic similar is the determine of Christ. Jung demonstrates his thesis through an research of the Allegoria Christi, specially the fish image, but in addition of Gnostic and alchemical symbolism, which he treats as phenomena of cultural assimilation. the 1st 4 chapters, at the ego, the shadow, and the anima and animus, offer a worthy summation of those key strategies in Jung's method of psychology.
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Extra resources for Collected Works of C.G. Jung, Volume 09 Part 2 Aion: Researches into the Phenomenology of the Self (Bollingen Series XX)
Example text
For this he would need a faithless Eros, one capable of forgetting his mother and undergoing the pain of relinquishing the first love of his life. The mother, foreseeing this danger, has carefully in- him the virtues of faithfulness, devotion, loyalty, protect him from the moral disruption which is the risk culcated into so as to of every life adventure. and remains true He has learnt these lessons only too well, This naturally causes her the to his mother. deepest anxiety (when, to her greater glory, he turns out to be a homosexual, for example) and at the same time affords her an unconscious satisfaction that is positively mythological.
THE SELF psychic process has a value quality attached to it, namely its feeling- tone. This indicates the degree to which the subject is affected by the process or how much it means to him (in so far as the process reaches consciousness at all). It is through the "affect" that the subject becomes involved and so comes to feel the whole weight of reality. The difference amounts roughly to between a severe illness which one reads about in a textbook and the real illness which one has. In psychology one posthat nothing unless one has experienced it in reality.
In order of affective rank they stand to the shadow very much as the shadow stands in relation to ego-consciousness. The main affective emphasis seems to lie on the latter; at any rate it is able, by means of a considerable expenditure of energy, to repress the shadow, at least temporarily. But if for any reason the unconscious gains the upper hand, then the valency of the of the other figures increases proportionately, so shadow and is reversed. What lay furthest, away from and consciousness seemed unconscious assumes, as it waking a and the affective value increases tin* were, threatening shape, scale the higher up you go: ego-consciousness, shadow, anima, that the scale of values This reversal of the conscious waking state occurs regularly during the transition from waking to sleeping, and what then emerge most vividly are the very things that were unconscious by day.